“Eyecon” Thomas Kelley, FAAR Partner, Norman Kelley 22 October 2014 Kocimski Auditorium Kelley reexamines and rehearses visual deception through architectural drawing. From the 18th-century developed surface drawings of Thomas Lightoler to Daniel Liebskind’s collaged misprojections in “Micromegas,” the capacity to baffle reality through drawing has led to innovative strategies in […]